David Borawski


recent:
silk flowers, contemporary art galleries, uconn,storrs
NOW, ely center of contemporary art, new haven
areacode art fair, boston [ https://www.areacodeartfair.com/artists ]




nothing lasts forever 2020
silk flowers, contemporary art galleries, uconn, storrs, ct.

wear the weary hours down
review in the Hartford Courant



still in the difficulty (reconsider everything) 2020
NOW, ely center of contemporary art, new haven, ct.

still in the difficulty
wear the weary hours down wear the weary hours down
review in the New Haven Register



you go forward i go backward somewhere we will meet 2020
mill street, alternative space, new haven, ct.

wear the weary hours down
wear the weary hours down
wear the weary hours down wear the weary hours down
wear the weary hours down wear the weary hours down
review in the New Haven Independant



murder for a jar of red rum 2020
solo, pegasus gallery, middlesex community college, middletown, ct.

wear the weary hours down
wear the weary hours down
wear the weary hours down
the annihilation of space and time, 2019 (left), torture is the main attraction, 2020 (center), game changer, 2019 (right)

wear the weary hours down
when the whip comes down, 2019 (left), beauty is to expose the cruelty in men, 2020 (right)

wear the weary hours down
torture is the main attraction, 2020 (video monitor), game changer, 2019 (right)


torture is the main attraction, 2020

wear the weary hours down let the good times roll, 2020 (video), Close Enough But Not Too Far (Fighting Fire With Fire), 2020 (flag)

wear the weary hours down


Pledged Against A Ruin It Cannot Forestall 2019
portal: governors island, new york, ny.

said my name is disturbance said my name was disturbance, 2019

Raw Power is Laughing at You and Me Raw Power is Laughing at You and Me
raw power is laughing at you and me, 2019

Some men just want to watch the world burn Some men just want to watch the world burn some men just want to watch the world burn, 2019

controlled Transmission #2 controlled transmission #2, 2018

warehouse of souls warehouse of souls warehouse of souls, 2019

pledged against a ruin it cannot forestall pledged against a ruin it cannot forestall Pledged Against A Ruin It Cannot Forestall, 2019

controlled transmission # controlled transmission #1, 2018

killer on the road killer on the road
killer on the road, 2019



the first act of violence 2019
spring break art show, new york, ny.

wear the weary hours down
wear the weary hours down
wear the weary hours down




the time of our time has come and gone 2018
curmudgeon, 3 person, odetta, brooklyn, ny.

wear the weary hours down
wear the weary hours down
wear the weary hours down
wear the weary hours down
the time of our time has come and gone, 2018

wear the weary hours down bars and stripes, 2018

wear the weary hours down bars and stripes, 2018

wear the weary hours down



blown away 2018
solo, ebk gallery, hartford, ct.

wear the weary hours down one for tomorrow one just for today, 2017

wear the weary hours down installation view

wear the weary hours down not looking for a new way to die, 2017

wear the weary hours down details



same as it ever was 2017
align-able angles, group, schelfhaudt gallery, bridgeport, ct.

wear the weary hours down installation view

wear the weary hours down same as it ever was, 2017

wear the weary hours down (left) outside in, (right) bars and stripes, 2017

wear the weary hours down (left) no justice, 2014, (right) the time is right for a palace revolution, 2017

wear the weary hours down (left) no peace, 2014, (right)the time is right for a palace revolution, 2017

wear the weary hours down same as it ever was, [detail], 2017



statement

i am inspired by the pivotal social and political events that have shaped our world.  i make work that is a conceptually driven investigation of these ideas and their impact upon everyday life.   the work is presented in installations that combine multiple individual pieces (sculpture, video, photography, painting, drawing), arranged within the proscribed space to form provocative visual and intellectual layers.   some pieces may be revisited and revised within a new exhibitiion.  the original subtext is brought into the mix and then reacts to the new arrangement.

 

the pieces employ suggestive titles and visual references, (rock and roll song lyrics, sexual inuendo, art history, industrial design), which draw upon sub/conscious nostalgia as a means of stimulating multiple readings.

positioning the work within this cognitive framework allows for it to reflect on current and historical events from several different perspectives.